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New Sound 48

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Issue No. 17

Ethnomusicologist Speaks

Jasminka Dokmanović – THE BARD OF ETHNOMUSICOLOGY. INTERVIEW WITH DRAGOSLAV DEVIĆ, PhD
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Core Issue

Eduardo Reck Miranda – COMPOSERS AND COMPUTER MUSIC TECHNOLOGY IN BRASIL
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Studies

Roksanda Pejović – THE REFLECTIONS OF FIN DE SIÈCLE ON SERBIAN MUSIC
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Dimitrije Golemović – ROMANI AS AN IMPORTANT FACTOR IN DEVELOPMENT OF SERBIAN RITUAL PRACTICE
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Interpretations

Herman Sabbe – MUSIC MAKES TIME; MUSIC TAKES TIME. Apropos of Arvo Pärt's Tabula Rasa
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Miloš Petrović – THE TOYS OF MILIMIR DRAŠKOVIĆ
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New Works

Bojana Cvejić – NEAR AND FAR. A NOCTURNE OF BELGRADE SPRING 1999 FOR CHAMBER ENSEMBLE, LIVE ELECTRONICS AND AUDIO TAPE BY SRĐAN HOFMAN
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Marija Masnikosa –VOXAL BY VLADIMIR TOŠIĆ
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Analyses

Ivana Vuksanović – DIVERTIMENTO BY IVAN JEFTIĆ; LIGHT ELEGANCE
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Research and Tradition

Andrijana Gojković – ROMANI MUSIC IN SERBIA AT THE END OF THE XX CENTURY
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Miško Šuvaković – THE AESTHETICS OF SERBIAN 20th CENTURY MUSIC (Pt. 3)
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Festivals and Symposia

Nice Fracile – THE INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC. Music and the minorities, Ljubljana, 2000
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Aleksandra Vrebalov – THE DARMSTAT NEW MUSIC SUMMER COURSES
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Nice Fracile – THE FOURTEENTH INTERNATIONAL SYMPOSIUM OF BALKAN FOLKLORE
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Mirjana Lazarević – THE FESTIVAL AND ACADEMY IN VERBIER
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Dejan Despić – THE SOUNDS OF GLOBAL VILLAGE AT THE END OF THE MILLENNIUM. INTERNATIONAL MUSIC DAY FESTIVAL. Luxembourg, 19. 9 – 8. 10. 2000
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Selena Litvinović – THE SECOND INTERNATIONAL MUSIC IN SOCIETY SYMPOSIUM
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Reviews

Vlastimir Peričić – THE STORIES OF MIROSLAV ČANGALOVIĆ
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Emmannuel Grynspan – TOUT EST BRUIT POUR QUI A PEUR – POUR UNE HISTOIRE SOCIALE DE SON SALE
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Snežana Nikolajević –DRAGOLJUB ŠOBAJIĆ: LISTENING OF THE IMAGINED
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Jasenka Anđelković-Protić – ZORISLAVA M. VASILJEVIĆ: THE WAR FOR SERBIAN MUSIC LITERACY
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Dimitrije Golemović – JOVAN MILOŠEVIĆ: RECORDINGS OF FOLK SONGS OF MONTENEGRO
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CD Reviews

Mirjana Vukičević-Zakić – THE DRAGAČEVO BRASS BAND FESTIVAL, GUČA 1961–1999
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Defended Theses

Vesna Peno – THE ORTODOX CHANT IN THE BALKANS IN 19th CENTURY – WITH THE EXAMPLES OF SERBIAN AND GREEK TRADITIONS
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Ivana Vuksanović – THE ASPECTS AND RE-SIGNIFYING OF THE ELEMENTS OF TRIVIAL GENRE OF SERBIAN MUSIC IN THE 20th CENTURY
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Milena Medić – MYTH AND MYTHICALTHOUGHT IN SERBIAN MUSIC OF POSTMODERNISM. THE COMPOSITIONAL PRAXIS OF THE '80s AND THE '90s
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New Sound CD No. 17

1. Sound examples with the study The Bard of Ethnomusicology: A Conversation with Dragoslav Devic
2. Sound examples with the study Romani as an Important Factor in the Development of Serbian Ritual Practice
3. Srđan Hofman – A Nocturne of Belgrade Spring 1999
4. Vladimir Tošić –Voxal
5. Ivan Jevtić – Divertimento
6. Sound examples with the study Romany music in Serbia at the end of the 20th century